hascoolnickname wrote:Nothing about titles, you brought that up later when you were trying to bash electronic music and the use of fruityloops (which is somehow bad?)
Dude. I'm sorry to tell you, but I was talking about *THE TITLE*. Nothing in the song itself is racist, maybe it was vague to you then, but i'm making it clear now that I was saying that it was about titles.
How does that tie into "electronic music" and fruity loops whatsoever? That doesn't tie into either of those subjects, nor did i relate it to either one. I was simply saying the song titles were racist, and the songs were bland.
Yes, I was saying as a blanket statement that most of the stuff in the game sounded like it was made on fruity loops, but I wasn't using the racist titles to SUPPORT that debate.
hascoolnickname wrote:The idea that it might sound like a Kidz Bop in no way relates to your use of the word. You're calling it "gay" as if being so is a bad thing, you're attaching negative connotations to a neutral word and in doing so also attacking anyone who agrees with that lifestyle. That's not an intelligent mature way of presenting your side in a debate, and I wouldn't have to call anyone out on it if people weren't making claims that aren't true.
HAHAHAHAAHAHHA
i have to say, this is by far the most incorrect statement ever.
Think about this; I live in California, near the bay area. I have somewhere around 20-30 gay, lesbian, and bi friends EACH. I used to ROOM with three gay guys. Around here, calling someone gay isn't an insult, nor is it seen as negative, if in the right context.
When I say gay, i'm using it in the "this sounds fruity" context, not "this sounds like something that is homosexual in orientation". I have nothing against gay people whatsoever, I don't see it as strange, and when I use the word it's used as a general "this sounds fruity" connotation, not "homosexual" connotation.
Same as when I say someone's a fuckhead, do I think they have a penis for a head? no.
hascoolnickname wrote:There's a lot that can be said about this, but when you have a genre that originated with DJ's spinnin breakbeats on their decks while the MC's laid down their rhymes at parties, of course it can be played back on a drum kit when it was played on a drum kit. On the real my favorite hiphop artists have a real oldschool sound or use a LOT of instruments. If you've ever seen someone play an mpc like nobody's business or cut up a sample like bread you'd know there actually are a lot of people out there putting more heart into their work than some mainstream artists. In fact, hiphop is great in the way that if you got something to say you can say it. It's not that hard to lay down a simple beat, but if you got something fresh people will definitely turn their ears to hear it.
Right, and when I say rap remember, i'm talking about "nigga what nigga who fuck niggas eat bread give head you dead nigga pull da trigga".
There's a lot of hip hop, not rap, that is very good and I listen to as well, and hip-hop is much more varied. Also, I find that most hip hop rhymes are more about talking on a subject, instead of trying to make oneself look pitied or hard or amazing or whatever.
hascoolnickname wrote:A lot of people do instrumental "techno" style music. About two seconds on youtube and you'll find a lot of people who can play a variety of traditionally electronic styles of music on traditionally acoustic instruments.
True, but i'm talking about stuff like sandstorm and crap, the generic techno crap. (ITG1/2 basically) I listen to Mogwai and such, so I know what you mean, but yeah.
hascoolnickname wrote:There's your contradiction right there, need I say more?
Yeah, since i see no way how that was a contradiction. I still stand by the fact that ITG1/2 is mostly music made by one person per song electronically, and that DDR 3rd mix+/4th mix + is mostly music made by full bands, or at least more than one person, compared to ITG1/2.
hascoolnickname wrote:Sure, it can only "emulate" real world sounds before real world sounds have to try to "emulate" so called "synthetic music" and then run to catch up on the vast range of sounds that it simply cannot create. A single drum can only produce so many sounds while in a virtual environment limitless sounds can branch out from just one second of one hit on that drum. Anything is possible.
True; so how come almost no one who makes synthetic or electronica music abuses that? The only person I can think of in electronica who abuses that is Aphex Twin, off the top of my head, in terms of bizarre sounds, and odd melodies and such.
hascoolnickname wrote:If you were so musically adept and open minded I don't see how you could not like hiphop or rap.
As I said above, I listen to quite a lot of hip-hop, and again as i've said in many other posts, including the "Rap" topic, I like hip-hop. I even listed in posts that I like Del Tha Funky Homosapien. Does anyone around here research people when they're making personal accusations of them?
hascoolnickname wrote:I also don't follow your logic with not liking the so called simplistic boring wayyyy too slow-paced music if you like ambient music?
Ambient music i'll admit is the one exception. To me however, this is still not "slow" paced; to me, it's *slower* than slow paced, to the point of being basically "ambient, mood music". What irks me is music that's slow (Moby), but not so slow that you hardly notice there's even music at all, and it just sounds like ambient noise, if you get what I mean by that. I'll admit I wasn't too clear on that.
hascoolnickname wrote:Also, listening to most of the music you have listed above I'm surprised that you can claim you don't like music that all sounds the same or doesn't have much variance. I'm not going to rip on any artists you hold high and mighty, but most of them, in my eyes, are pretty generic in their various subgenres or from album to album and song to song.
Curious how you knew what artists I liked? One of the first things I always hear that's off the charts incorrect is that "All metal is undechipherable screaming". I can show you at least 200 songs off my playlist, and at least 20 bands I listen to that are metal that yes, may have screaming, but it's easily able to be deciphered and heard.
hascoolnickname wrote:Formula writing has been around since classical music, and it's been proven time and time again that it works. Don't be so surprised to hear a song that sounds like another, it's what sells.
Of course it sells, and that's great. Doesn't mean it's good. 95% of Americans/people world wide are sheep, and will listen to something because it's popular; this is the reason that rap and pop are as popular as they are. Also because most people don't like to use much brain function when they listen to music, so the simplistic lyrics and beats of rap and pop are easy to synch with, because they're so basic.
hascoolnickname wrote:I'm not surprised that there is more variation in DDR over all the mixes than ITG, when you're in the game longer you see what works and what doesn't.
This is backwards; DDR had far more variety in 3rd mix + and 4th mix + than it did in any other mix afterwards.